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He kākano ahau I ruia mai i Rangiātea E kore au e ngaro He kākano mai i Rangiātea Mai i ngā tīpuna, ngā rangatira He kākano ahau Ki hea rā au e hītekiteki ana Ka mau tonu i ahau ōku tikanga Tōku reo, tōku ohooho Tōku reo, tōku māpihi maurea Tōku whakakai mārihi He reo rangatira He rākai ātaahua He rākai ātaahua Ka tū ana ahau Ka ūhia au e ōku tīpuna Ka tū kaha tonu ahau Kia kite koutou i tōku mana He mana tauā nō onamata He mōrehu ahau Ki hea rā au e hītekiteki ana Ka mau tonu i ahau ōku tikanga Tōku reo, tōku oho-oho, Tōku reo, tōku māpihi maurea Tōku whakakai marihi He reo rangatira He rākai ātaahua He kākano ahau I ruia mai i Rangiātea E kore au e ngaro He kākano, mai i Rangiātea Mai i ngā tīpuna ngā rangatira He kākano ahau (Repeat till end) In 2001 Hōhepa was contacted by Phil Fuemana a music producer to work on a TV production ‘He Manu Tioriori’. Initially he turned down the offer to work with the programme saying he didn’t know anything about Hip Hop music. Phil not giving up easily came to Masterton and stayed with Hōhepa for 2 weeks and asked everyday until he gave in and soon was on a plane to Auckland. Originally he was contracted to do vocal training with the 12 taiohi. Two other contracts followed one to teach the group a pākeha song and then to teach a Māori song. Him being a self professed cheapskate secured both contracts at once by writing a song that was half in English and half in Te Reo Māori. He sold it to the producers as giving the ability for the group to move between both languages. The producers loved the song and asked for it to be recorded on the ‘Āria’ CD. The waiata was recorded by all 12 taiohi in the full group not just those who beame ‘Āria’. The waiata was recorded in the matress room at Te Tokanganui a noho Marae in Te Kuiti. At the time of recording it was like a phenomina, Hōhepa says “everyone in the room was crying, sound crew, camera crew and the kids”. Later one of the taiohi asked why he didn’t cry she then said “ I know why, it’s because you are Tuhoe”. Hōhepa’s email address was printed on the CD cover and when it was released he received a huge influx of emails from all over the world from the UK, America, other countries too where Māori lived, all spilling their life story to him in their messages. His conclusion was that even thought the waiata was about him, establishing his historical connection, importance of identity. He realized that it wasn’t just him who needed to be reassured. One particular email he received was from a wāhine whose brother had committed suicide. She explained that he took his own life because he couldn’t find his place in his whanau and in society. She believed that has he heard ‘He Kākāno’ he would still be alive. Upon settling back in Wairarapa he wrote a version of the waiata totally in Te Reo Māori and taught it to Whānau Whānui”