Скачать с ютуб Mendelssohn - Violin Concerto in E minor, Op. 64 (Century's recording: Nathan Milstein, Leon Barzin) в хорошем качестве

Mendelssohn - Violin Concerto in E minor, Op. 64 (Century's recording: Nathan Milstein, Leon Barzin)

Felix Mendelssohn-Bartholdy (1809-1847) Violin Concerto by Nathan Milstein / Remastered. 🎧 Qobuz https://bit.ly/3IQEIQh Deezer https://bit.ly/3uYCed4 🎧 Amazon Music https://amzn.to/3vmaXBJ Amazon Store https://amzn.to/3obcUwD 🎧 Apple Music — Spotify https://spoti.fi/3RIkyfA 🎧 Tidal https://bit.ly/3On8mxQ Youtube Music https://bit.ly/3uXTAH6 🎧 LineMusic日本 https://bit.ly/3obdGd1 Awa日本 https://bit.ly/3B0gMrP 🎧 Napster, Pandora, SoundCloud, Anghami, QQ音乐 … 00:00 Violin Concerto in E minor, Op. 64 - I. Allegro molto appassionato (Remastered 2022) 11:20 Violin Concerto in E minor, Op. 64 - II. Andante (Remastered 2022) 19:12 Violin Concerto in E minor, Op. 64 - III. Allegretto non troppo, Allegro molto vivace (Remastered 2022) Violin: Nathan Milstein Philharmonia Orchestra Conductor: Leon Barzin Recorded in 1960 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/370zcMg ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :)   / cmrr   The baroque and classical concerto, which was the object of much attention throughout the 18th century, especially in Italy, the violin's home country, completed its long virtuoso journey with Mozart and his concertos of 1775, brilliant works with a youthful spirit, if not, in view of the master in question, youthful. There followed a fairly long period of rest, more favorable to the perfection of the new symphony, before the archetypal romantic concerto appeared with Beethoven's Opus 61, followed by other works, less numerous than those dedicated to the piano, but signed by the greatest names of romanticism, including Mendelssohn (Paganini's Concertos, more classical in form, being a case apart, because of the limited role of the orchestra). Important modifications, not only in the field of the violin concerto, are then implemented, thematically, structurally, but above all in the balance between the soloist and the orchestra, the latter definitively becoming symphonic and no longer a simple harmonic support, taking up in ritornello the themes treated brilliantly by the virtuoso. This evolution of the romantic concerto towards the "symphony with principal violin" will continue until the Brahms Concerto (1879). The violin, in Beethoven as in his successors, will be just as virtuosic as before, and even more so, at the same time deeply integrated into the orchestral fabric. The pure virtuosos, of 'Paganinian' obedience, will not always appreciate this too equal sharing of skills between soloist and orchestra, such as Sarastre who, about Brahms' concerto, will say: ''Do you think I am so tasteless as to stand on the stage as a listener, with the violin in my hand, while the oboe plays the only melody of the whole work?'' Mendelssohn's Concerto in E minor, Op.64, is comparable in orchestral size to Beethoven's, but significantly less developed. It remains one of the most seductive works of the entire concerto repertoire of the Romantic period: charming thematic invention, absolute clarity of writing, marvelously cantabile virtuosity of the solo part, without, however, departing from an elegant sobriety. The work was begun in 1838 but not completed until 1844. It was premiered at the Gewandhaus in Leipzig in 1845, in the absence of Mendelssohn, who was ill, by the famous violinist Ferdinand David. Fortunately, the composer was able to hear his work in 1847, still in Leipzig but by the young Joseph Joachim; one month later Mendelssohn died. Michel Roubinet Beethoven - Violin Concerto, Op. 61 by Nathan Milstein:    • Violin Concerto in D Major, Op. 61 - ...   Felix Mendelssohn PLAYLIST (reference recordings):    • Felix Mendelssohn-Bartholdy (1809-184...