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Luciana Parisi: The Cybernetics of No

What would it take for cybernetics to withdraw from the metaphysics of AI Capitalism, the recursivity of extraction, the transvaluation of the sublime, and the crisis of thought? One can argue that AI Capitalism has already realized the hyperstitional dimension of all forms of speculations: economic, aesthetics, philosophical, cultural scenarios of the future have exhausted all political imaginaries calling for the end of the world as we know it. From the breakdown of the global geopolitical order to the immediacy of ecological disasters, the crisis of borders and of war-induced exodus of populations (refugees, migrants, dispossessed), Capital AI continues to occupy the space of the real as if it were its property: namely as if it was its master. This lecture will address the possibility for cybernetics to overturn the metaphysics of AI by arguing that for a “cybernetics to come” – a future inspired by cybernetics – there must be in place a radical subtraction of cybernetics from the authority of philosophy and its ontic model of science. From this standpoint, this lecture will offer a critique of the condition of instrumentality as entangled to the servo-mechanic form of cybernetics. In the attempt to overturn the metaphysical principles of AI capital, embedded in the onto-epistemologies of colonialism, patriarchy and racism, this lecture will theorize the negative function of recursivity (a cybernetics of no) as a way to push views of “technodiversity” and “cosmotechnics” towards the socio-techno-genic futures out of (or fugitive of) this world. Luciana Parisi’s research is a philosophical investigation of technology in culture, aesthetics and politics. She is a Professor at the Program in Literature and core faculty in the Graduate Program of Computational Media Art and Culture at Duke University. She was a member of the CCRU (Cybernetic Culture Research Unit) and is currently a co-founding member of CCB (Critical Computation Bureau). Her critical investigation of evolutionary theories, biotechnology, and the question of sex are published in the book Abstract Sex: Philosophy, Biotechnology and the Mutations of Desire (2004, Continuum Press). She has published extensively in the field of Media Philosophy, on the informational critique of mediation and artificial intelligence. Her research on computation and aesthetics in the context of digital architecture and design is gathered in the monograph Contagious Architecture. Computation, Aesthetics and Space (2013 MIT Press). She has published on alternative models of reason, logos and ratio exposed in radical feminist, queer and black studies and the critique of modernity and capitalism. She is currently completing the monograph Automating Philosophy: Instrumentality and Critique in Technoculture.