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[作画 MAD/AMV] Kai Ikarashi (五十嵐海) Sakuga

Ikarashi is an animator trained in Trigger, he developed as one of the followers of the Kanada school but his style can be quite different from the purest followers of Kanada, such as Akira Amemiya. He received training from You Yoshinari during the production of Little Witch Academia: The Enchanted Parade, receiving quite a few corrections on how movement should be represented on characters so that it feels natural. He also participated as Animation Director in Promare, so he was probably able to see the Neo Kanada style up close and be influenced a bit. His style is quite peculiar in terms of the structure of his characters, specifically the shape of the head and eyes when he leaves the model sheet, because his style is too marked, generating elongated and pointed faces with very large and angular eyes. Like the vast majority of Kanada's followers, Ikarashi is highly skilled at depicting the dynamic pose-to-pose movement characteristic of the Kanada school, using many deformations, angular shapes and interesting perspectives in which he exaggerates the proportions by representing the lengthening of the body parts according to the perspective he wants to capture. His effects were initially heavily influenced by Kanada's, but over time he acquired a unique way of representing them. These are basically Kanada effects but by adding a lot of spikes on the outlines and making the stroke dirtier it makes a pretty noticeable difference. When the action gets closer to the camera he often uses a lot of perpendicular speed lines, adds more lines perpendicular to the object's outline, does exaggerated smears (sometimes splitting the object into parts) and applies blocky shading making all this together generate a feeling of dirt, dynamism and expressiveness. Despite all of the above, he has also shown signs of being able to draw movement that goes more towards the Realistic school, with a movement that feels quite natural in the characters, well representing the weight of the characters and the movement of clothing, in addition to be able to combine all this with his aggressive style but without going too far from the model sheet. His style in its entirety is extremely striking, so when he is assigned the task of Storyboarder and Animation Director, he imposes all his visual aesthetics, generating unique episodes that easily stand out from the rest of the program. Some examples of this are SSSS.GRIDMAN #09, SSSS.DYNAZENON #10 and Cyberpunk Edgerunners #06, which are recommended to understand Ikarashi's style. If you want to see more of this animator's work, check this out: https://www.sakugabooru.com/post?tags... Music: Hazy Shade of Winter from The Umbrella Academy Soundtrack (It is a cover of the original version of Hazy Shade of Winter by The Bangles)    • Gerard Way - Hazy Shade of Winter (fe...   // List: 00:00 - SSSS.Gridman #09 00:16 - Fate/Grand Order: Shinsei Entaku Ryouiki Camelot 2 00:24 - Star Wars Visions (Lop and Ochou) 00:28 - Brand New Animal #01 00:36 - Little Witch Academia #01 00:40 - Little Witch Academia #22 00:49 - Star Wars Visions (Lop and Ochou) 00:53 - Black Clover #63 01:02 - BNA #08 01:06 - Promare 01:14 - One Punch Man #07 01:29 - SSSS.Gridman #03 01:33 - Shantae 5 OP (in collaboration with Ichigo Kanno) 01:40 - Fate/Grand Order: Zettai Majuu Sensen Babylonia #08 01:49 - Darling in The FranXX #06 02:07 - 86 Part 2 OP 02:10 - Fate/Grand Order: Shinsei Entaku Ryouiki Camelot 2 02:17 - Darling in The FranXX #04 02:24 - Little Witch Academia #03 02:35 - Hands off the Motion Pictures Club! #03 02:50 - Little Witch Academia #25 03:05 - SSSS.Gridman #09 // List: 00:00 - SSSS.GRIDMAN #09 00:16 - 劇場版Fate/Grand Order 神聖円卓領域キャメロット 00:24 - スター・ウォーズ：ビジョンズ (のらうさロップと緋桜お蝶) 00:28 - ビー・エヌ・エー #01 00:36 - リトルウィッチアカデミア #01 00:40 - リトルウィッチアカデミア #22 00:49 - スター・ウォーズ：ビジョンズ (のらうさロップと緋桜お蝶) 00:53 - ブラッククローバー #63 01:02 - ビー・エヌ・エー #08 01:06 - プロメア 01:14 - ワンパンマン #07 01:29 - SSSS.GRIDMAN #03 01:33 - Shantae 5 OP (は五十嵐海氏と菅野一期氏の共作) 01:40 - Fate/Grand Order 絶対魔獣戦線バビロニア #08 01:49 - ダーリン・イン・ザ・フランキス #06 02:07 - 86―エイティシックス― OP 02:10 - 劇場版Fate/Grand Order 神聖円卓領域キャメロット 02:17 - ダーリン・イン・ザ・フランキス #04 02:24 - リトルウィッチアカデミア #03 02:35 - 映像研には手を出すな! #03 02:50 - リトルウィッチアカデミア #25 03:05 - SSSS.GRIDMAN #09 // What is Sakuga? Sakuga (作画) literally means drawing. It is not something specific like "super spectacular animation", but the term is used to define a well animated sequence and that's it, good animation. Animation is fundamentally movement, so a sequence with good movement is already good animation / sakuga, the effects and uses of cinematography are only added to the base.