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The Wedding dresses Of Queens | Queen Victoria, Alexandra, Mary Of Teck | Royal Wedding Dresses

The Wedding dresses Of Queens | Queen Victoria, Alexandra, Mary Of Teck | Royal Wedding Dresses A mesmerizing carbon print captures the intricate details of Queen Victoria's legendary wedding lace, showcasing its exquisite beauty. Delicate patterns emerge along one edge, while a wreath of vibrant orange blossoms adds a touch of natural elegance. Victoria's reverence for the artistry of lace extended beyond her wedding day. She entrusted the skilled lace-makers to fashion the royal christening gown for her cherished children, including the future King Edward VII. This historic garment became a cherished tradition, gracing the christenings of successive royal heirs until modern times. As a staunch supporter of the Honiton lace industry, Victoria ensured that the fabric adorned not only her own attire but also that of her daughters. Honiton lace became a staple feature in their wedding dresses, a testament to Victoria's enduring commitment to English craftsmanship. Throughout her reign, Victoria continued to adorn herself with this treasured lace, donning it for significant family events, including christenings and weddings. Its timeless elegance adorned her grandchildren's wedding ceremonies, symbolizing continuity and tradition within the royal family. Even in death, Victoria remained intertwined with her beloved lace, as she was laid to rest with her wedding veil delicately draped over her face, a poignant homage to her enduring legacy. The influence of Victoria's choice to wear white on her wedding day reverberated through the ages, shaping bridal fashion for generations to come. While misconceptions about the symbolism of white persisted, Victoria's iconic gown inspired countless brides to emulate her timeless elegance. Alexandra's wedding dress became famous because she was the first royal bride in Britain to be photographed in her wedding dress. The wedding itself was a huge event and was even more notable because it took place during a sad time. The prince's father had died not long before, and his mother, Queen Victoria, was deep in mourning, which affected the whole mood of the occasion. Despite the sadness, Queen Victoria was smart about public relations. She had once used her own wedding dress to help boost the economy in poorer areas. Alexandra did something similar. Her dress was made of silk from Spitalfields, a poor part of London, and the lace on the dress came from Honiton in Devon, which helped the people there make a living from their lace-making skills. Alexandra had her own unique fashion sense from a young age. Growing up in a modest royal setting in Copenhagen's Yellow Palace, where she learned to sew her own clothes, she developed a style that would make her a trendsetter of the 19th century. On her wedding day, despite the overall sadness of the event, her dress stood out. It had an off-the-shoulder design, a snug bodice, and a large, full-length skirt decorated with four layers of lace adorned with orange blossoms and myrtle. Her long train, made of silvery fabric, stretched out 21 feet behind her, and her lace veil, pinned with more orange blossoms, also featured symbols of the UK - roses, shamrocks, and thistles. The lace details on her dress were crafted by Miss Tucker and her team at John Tucker and Co. in Branscombe, near Sidmouth. The lace pattern included cornucopias filled with roses, shamrocks, and thistles. Alexandra also wore a lace-trimmed veil, train, and handkerchief made by the same company. On her head, Alexandra wore a wreath of orange blossoms and myrtle, and she held a bouquet made up of orange blossoms, white rosebuds, lilies of the valley, orchids, and myrtle. Her wedding jewelry was a mix of gifts, including a pearl necklace, earrings, and a brooch from the Prince of Wales, bracelets from Queen Victoria, and gifts from the ladies of Leeds and Manchester. The design of Princess Victoria's wedding dress was influenced by her mother, the Duchess of Teck, who insisted that the dress and the bridesmaids' outfits be made entirely in Britain. This decision was likely influenced by her role as president of the Ladies' National Silk Association. For her wedding to Prince George, the dress designed by Silver was called "The May Silks" and included delicate embroidery featuring the symbols of a rose, shamrock, and thistle. It was also adorned with traditional elements like orange blossoms and lovers' knots, a style influenced by both Art Nouveau and Japanese art. In March 1893, the Duchess and Princess May visited Warner & Sons' factory at Hollybush Gardens in Spitalfields, London, where they commissioned the creation of a fine white silk woven with silver thread, specifically for the July wedding.