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Alexander Glazunov - String Quintet Op. 39 (1892) 6 лет назад


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Alexander Glazunov - String Quintet Op. 39 (1892)

Alexander Konstantinovich Glazunov (Алекса́ндр Константи́нович Глазуно́в, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He served as director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued heading the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return.The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Please support my channel: https://ko-fi.com/bartjebartmans String Quintet in A Major, Op. 39 (1892) Dedicated to the Society of Chamber Music in St. Petersburg 1. Allegro (0:00) 2. Scherzo: Allegro moderato (9:23) 3. Andante sostenuto (14:46) 4. Finale: Allegro moderato (21:40) Shostakovich Quartet "In 1892 Alexander Glazunov's very noteworthy String Quintet was published. The appealing first theme of the opening movement, Allegro, is first stated by the viola alone. The somewhat slower second subject is also very melodic. In fact, the whole is illustrative of his superb ability to achieve great tonal beauty. An exciting coda brings the movement to a close. The main part of the second movement, Scherzo, is quite entertaining especially with its effective use of pizzicato. The contrasting melody of the middle section has a halting rhythmic quality and the coda presents a surprise. The highly romantic Andante which follows is quite sentimental. Its middle section is a bit livelier. From its first notes, the finale, Allegro moderato, exudes its strong Russian tonal color with its powerful, driving main theme. Even the slower middle section is infused with Slavic melody. This work is a treasure, always a pleasure to play and to hear."---Wilhelm Altmann, one of the most respected chamber music critics, writing in his famed Chamber Music Handbook.

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