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Saint-Saens Introduction and rondo capriccioso transcription for viola Play Ivan Numerov

So, the time has come to handle the next closed door, which is not as if prohibited to open, but it is more likely that only a few opened it, and those who did it are not inclined to tell about it. Recalling how curiosity and overwhelming desire to taste the forbidden fruit encouraged opening the first forbidden door, you realize that this door is something different. It is like a barrier on the way to something. You try to walk round but fail. Over and over again you find yourself at the beginning – in front of this barrier which is closed by the door with a huge and solid lock on it. Whatever you make up to continue your journey it is still necessary to open the door and overcome the barrier to reach unforeseeable horizons. There is one more variant, though, – just use your imagination to see how you reach these horizons that stretch out in front of you. Well, this way of your imagination play is interesting and even appealing, but in reality it is just making time. As time goes by you more and more clearly realize that either you open the door or there is no other way further for you. Well, do your best and open it! And here it starts – nothing can help you open it: neither your knowledge gained at the Music School, Conservatory and Postgrad Course nor determination and obstinacy. Even physical force can’t help you to break open the door. All in vain. You spend several more years in attempts to open the door: matching a key or just exasperatedly attacking the door. After all this time you are sitting by the door which you already hate. Your arms hurt, fingers can’t move, you have little energy left just enough to crack your eyes open. May be it is worth following your intuition, but one day it leads you this way, the next – another way, and one week you are in bad mood and your intuition is silent, the next you are in good mood and you just fly around… However, the reality is that you are sitting by the same closed door. And here you start to laugh as lively and cheerfully as you have never laughed before in your life. You remember the first time you saw Da Vinchi’s Madonna of the Rocks which is in the Louvre and you were staring at it in bewilderment trying to understand why Archangel Uriel is pointing at John the Baptist, why the Christ child is depicted lower than John, and tons of other whys. Why not ask Da Vinchi? Oh, that’s right, he passed away a long time ago. Although even if he hadn’t died, taking into consideration his tendency to encode all his knowledge (that even a simple piece of text was impossible to read without a mirror) I highly doubt that he would agree to help me. Alas, the time spent in courageous and painful attempts to open the door resulted in understanding that it is time to decide on something – there is no more time to loose. A negative result is still a result: there is no key to the lock and probably it hasn’t been invented yet. Breaking open is a waste of time and, what’s more, it might be harmful to you. May be the key to all this situation is completely different to what people are used to? May be the key is just some gold standard which will not only allow to open the door but also reveal some techniques which in their turn will enable to create a way to the gold standard round about all barriers? What can it be? Most likely it is not something created by a human. May be the gold standard is the nature that surrounds us: forests, seas, mountains, meadows? May be all these constitutive parts of nature have something in common, something constant that can help you find your way to the gold standard? While opening the door with the gold standard key and following the way which creation was enabled only by the gold standard, one shouldn’t pay too much attention to some not ideal details. You should understand that the Gold Standard has the Creator and only He is ideal himself.