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'Behind the Brandenburgs' - Brandenburg Concerto No.5, movement 1

Brandenburg Concerto No.5 features another unusual Concertino grouping; this time spotlighting the flute, harpsichord and violin. The ritornello form of the movement means that we hear the theme repeated throughout, with episodes on the solo instruments developing new melodic material. It is the harpsichord which steals the show in this movement, with a long virtuosic cadenza passage leading some to call it the first keyboard concerto ever written. “There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.” This quote is attributed to J.S. Bach, though no set of pieces puts this logic to the test quite like his own Brandenburg Concertos. Written between 1708 and 1721, the Brandenburg Concertos are a unique collection of concerti grossi by Bach which demonstrate the range of his imagination as a composer. Each is a gift to the instruments in the spotlight; virtuosic, exciting and endlessly fun to play. The set of six pieces, dedicated to the Margrave of Brandenburg-Schwedt in the hope of securing employment, may never have been heard in Bach’s day and there is no record of them even being acknowledged by the Margrave. Happily for us today they are now considered to be a cornerstone of the Baroque period, performed and enjoyed widely around the world. ‘Behind the Brandenburgs’ takes you into the worlds of Brandenburg Concerto No.3 and Brandenburg Concerto No.5, with Artistic Director Peter Whelan and the musicians of the Irish Baroque Orchestra, with performances of selections from each work capturing the music in all its vibrancy. Explore the full set on the 'Behind the Brandenbugs' playlist. “These concertos are some of the most colourful and groundbreaking orchestral works of their day, with each of the six appealing to different listeners. They have a personal significance for me, I remember begging my father to buy me the Brandenburgs score in McCullough Piggots music shop, and later, they were the first CD I ever bought.” Peter Whelan