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Pink Floyd Best of North American tour 1977

Pink Floyd - Best of North American tour 1977 01. Sheep [Montreal 7/6, Oakland 5/9] 02. Pigs On The Wing Pt. 1 [Oakland 5/9] 03. Dogs [Oakland 5/9] 04. Pigs On The Wing Pt. 2 [Oakland 5/9, Montreal 7/6] 05. Pigs (Three Different Ones) [Montreal 7/6] CD 2: 01 Shine On You Crazy Diamond Pts. 1-5 [Oakland 5/9, Fort Worth 5/1, New York 7/2] 02. Welcome To The Machine [New York 7/2] 03. Have A Cigar [New York 7/2] 04. Wish You Were Here [New York 7/2] 05. Shine On You Crazy Diamond Pts. 6-9 [New York 7/2, Miami 4/22] CD 3: 01. Money [New York 7/2] 02. Us And Them [Oakland 5.9, New York 7/2] 03. Careful With That Axe, Eugene [Oakland 5/9] 04. Blues [Montreal 7/6] *** Notes: This set is assembled to be a definitive 1977 tour album with some of the best performances from the North American 1977 tour featuring consistent high fidelity and discreet surround sound as heard at the original shows. We are very lucky to have all the elements of this album captured between multiple audience recordings in such a complete way. Starting with having definitive performances to choose from in the few audience recordings that actually have near professional release audio quality. MSG, NY was recorded by two different people, one close to the stage and one further back in the venue. Combining these properly lets us hear the live surround sound motion for the guitar and keyboard soloing as it was mixed in the venue. Finally, we have a recording made near their rear speaker stack that we can use to isolate the rear channel of their quad fx reel from. Audio tools now exist to allow us to sync together these multiple analog audio sources with perfection to the micro level while keeping the audio unharmed to achieve this. This project started life as a Yeeshkul! discussion for a fantasy best of 1977 concert. It started to appear that all the pieces were falling into place for a pro level concert restoration and this project is the result. The individual shows by themselves have surprising high fidelity a nd discreet surround sound from combined multiple recorders but also have various incomplete sections (like only the distant recorder rolling while the guy in front flips a tape). This compilation gives you the complete show from all angles using all these recordings. Not all the edits between venues are seamless but the ‘visible’ ones are smoother than the original flaws they replace. Such as the front recorder dropping out to flip a tape in NY, a very loud explosion from a loud firework also in NY, Dave having a rough vocal moment, and just a couple musical moments better enough to demand the effort. In addition to the edits between venues, a few bad notes and a missed drum fill were fixed as well. * Pink Floyd prepared a discreet quadraphonic fx tape to be used during the show which features in Sheep (opening sheep sounds and the quad panned sermon voices), POTW pt1 (wind fx), Dogs (quad barking and the backing surround keyboard part for the solo section), POTW pt2 (birds in the back), Pigs (quad grunting), SOYCD pts 1-5 (wine glasses intro), WTTM (the quad panned throbbing synth backing track), HAC (the ‘reduced to AM radio’ event that sweeps across the venue), WYWH (the opening radio bit and wind fx), SOYCD pts 6-9 (wind fx and the wine glasses outros), Money (cash register sound fx). The quad fx elements coming out of the front surround speaker stack are usually well captured by the recorders nearer the front of the venue. The left and right side surround stack capture varies depending on recording locations and are distant in most audience recordings. The rear surround speaker stack is almost always too far away from the recording position to even be heard in most audience recordings. The luck comes in here with the 3rd recorder at the Zurich show who recorded the show sitting directly in front of the rear surround speaker stack. Since the Floyd used the very same fx reel at every show, the fx reel elements from this rear speaker capture could be isolated and used to restore the discreet surround fx elements from the back of the venues which were far away in the other recordings. Always remember - the more generous you are with your music, the more it comes back to you.