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The 8th among the Kamakshi Navavaranams, this sprightly composition in Madhyamavati invokes the grace of the presiding deity of Sarvasiddhi Pradayaka Chakram. The composer has also indulged in gait transitions in two speeds between chaturashra (4 units) and tishra (3) Nadais alternatingly. The navavarana pooja forms the mantric-tantric ritualistic part of Devi worship, associated with the Shrichakra pooja. An avarana may be understood as a covering, a veil that must be removed in order to reach the supreme Shakti, residing at the center point (bindu). It must be noted that each avarana has its own set of rituals associated with it and those practicing this worship are generally required to be thoroughly aware of details such as chakra, yogini and mudra devatas associated with it. This kind of ritual is said to have originated sometime around the 10th century AD and is followed by certain sects even today.