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Скачать с ютуб Bara no Seidou - Malice Mizer FULL ALBUM (slowed) в хорошем качестве

Bara no Seidou - Malice Mizer FULL ALBUM (slowed) 1 год назад


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Bara no Seidou - Malice Mizer FULL ALBUM (slowed)

𝔗𝔯𝔞𝔠𝔨𝔩𝔦𝔰𝔱 01. Bara ni Irodorareta Akui to Higeki no Makuake 00:00 02. Seinaru Koku Eien no Inori 00:30 03. Kyomu no Naka de no Yuugi 09:07 04. Kagami no Butou Genwaku no Yoru 16:09 05. Mayonaka ni Kawashita Yakusoku 20:15 06. Chinurareta Kajitsu 26:36 07. Chikasuimyaku no Meiro 31:30 08. Hakai no Hate 37:15 09. Shiroi Hada ni Kuruu ai to Kanashimi no Rondo 41:30 10. Saikai no Chi to Bara 47:27 Slowed -5% on audacity :) ℑ𝔫𝔣𝔬 Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses". Bara no Seidou is a major change from Malice Mizer's previous albums with less of a focus on the twin guitar sound that was present in their previous discography, but retaining a chameleon trait like artists such as Genesis and Roxy Music. The band's sound switched from an ordinary art rock sound into a dark, gothic metal one; however, they still continued to use the violins, harpsichords and other instruments present in their older works and also added in a pipe organ and a choir for a haunting, melancholic, and religious feel to the album. For example, the song "Seinaru Toki Eien no Inori" is based around an organ and choir but still includes dual guitars and drums, which gives it a gothic metal feel. Fan favorite "Kyomu no Naka de no Yuugi" is a track that uses an organ and harpsichord mixed with a synthesizer and drum machine for more of a dark wave element. This song is influenced by gothic rock/industrial music and features a different image in its video, but still retains the dark themes of the album. After the death of Kami, it could be argued that the "funeral goth" element present in their attire is because of his death, and the song "Saikai no Chi to Bara" is a reference, and tribute, to him.

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