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Скачать с ютуб Supertramp-Ain't nobody but me (1.1979.Paris) Remastered by RudenkoArt в хорошем качестве

Supertramp-Ain't nobody but me (1.1979.Paris) Remastered by RudenkoArt 2 года назад


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Supertramp-Ain't nobody but me (1.1979.Paris) Remastered by RudenkoArt

According to Roger Hodgson, Supertramp had several reasons to record a live album at the time, including a desire to introduce their pre-Breakfast in America works to USA listeners and a mutual sentiment that some of their songs were pulled off better live than in the studio.[6] However, he admits that the chief purpose of the album was to buy time; the band was under pressure to produce a suitable follow-up to the immense success of Breakfast in America, and needed to get off the treadmill of touring and recording for a while in order to consider their direction for such an album. Taking such a breather meant the next studio album wouldn't be finished until 1981 at the earliest, and so something was needed "to fill the gap."[6] The album's set list contains almost all of the 1974 Crime of the Century (except for "If Everyone Was Listening"), three songs from Crisis? What Crisis? (1975), two from Even in the Quietest Moments (1977), three from Breakfast in America (1979) plus "You Started Laughing", the B-side to the track "Lady" from Crisis? What Crisis?. The hit "Give a Little Bit" was played on the tour but not included because, according to Hodgson, "we were shocked when we listened back to the live tapes to find how bad all the versions were. There just wasn't one version that we felt that we wanted to put on the album."[6] Other songs that were on the tour's set list but not on the album are "Goodbye Stranger", "Even in the Quietest Moments", "Downstream", "Child of Vision" and "Another Man's Woman". All of these tracks, including "Give a Little Bit", later showed up on the second live disc included in the deluxe anniversary edition of Breakfast in America and on the 2-CD/DVD set Live in Paris '79. Rick Davies – lead and backing vocals, acoustic and Wurlitzer pianos, Hammond Organ, ARP Omni 2 Elka and Oberheim synthesizers, Hohner Clavinet, harmonica, tambourine; Roger Hodgson – lead and backing vocals, acoustic and electric guitars, pianos, synthesizers, bells; John Helliwell – saxophones, clarinet, synthesizers, organ on "Goodbye Stranger", percussion, backing vocals, spoken intros; Dougie Thomson – bass guitars, backing vocals on "Bloody Well Right", "Fool's Overture" and "Two of Us", organ on "School", additional synthesizer on "Fools Overture"; Bob Siebenberg (as Bob C. Benberg) – drums, percussion, backing vocals on "Two of Us". The 2002 A&M Records reissue was mastered from the original master tapes by Greg Calbi and Jay Messina at Sterling Sound, New York, 2002. The reissue was supervised by Bill Levenson with art direction by Vartan and design by Mike Diehl, with production coordination by Beth Stempel

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