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The Making Of Jawan | Atlee On His Process & Directing SRK | Film Companion

In this (spoiler-filled) post-mortem of Jawan, director Atlee, in conversation with Anupama Chopra, opens up about the rhythmic blueprint behind his blockbuster films, the seamless blend of emotion, action, and spectacle that have marked his trajectory in the cinematic realm. He also shares his experience of working with Shah Rukh Khan, the Bollywood industry, and Thalapathy Vijay. #srk #jawan #atlee Visit Ustraa’s website to explore their range of colognes: https://www.ustraa.com/featured-categ... Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   00:00 - Interview with Atlee 00:40 - The Process Behind Jawan 03:25 - Inspiration from Other Directors 06:50 - "I’m a Loyal Fan of the Stars I Cast" 08:40 - The Secret of Signing Projects 10:40 - Atlee on Advice from Vijay & Stepping Out of the Comfort Zone 14:18 - Language Barrier in Directing 17:00 - Atlee on His Craft of Direction 18:02 - Storytelling and Audience Engagement 21:25 - Hero Introduction in Jawan 26:25 - Writing Process Behind Jawan 28:52 - The Use of Flashback 34:17 - Violence in Atlee's Films 36:17 - Slow Motion in Atlee's Movies 37:25 - Editing Process 42:36 - Dealing with Criticism 45:10 - Future Projects About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.