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OVERPOWER the SUN with FLASH // What Godox Flash do you need?

In this video we are discussing how to overpower the sun with flash. Overpower the sun is a phrase that poorly describes balancing a flash with bright, sunny conditions outside. It's hard to give a single answer for what flash will do it, as it depends on 3 actions. What modifier you use, how far away you use it, and whether or not you use high speed sync. Different modifiers bounce and throw light in different ways. So, some light modifiers are much more efficient than others, which means they will have more light intensity at the same power. Typically, smaller modifiers have harder, more intense light than larger modifiers, and are more efficient, but that surprisingly wasn't 100% true in this video. Yes, the flashes were all at full (1/1) power My entire kit of gear : https://kit.co/robhallphoto Lights Used Godox V860II (Flashpoint Zoom Li-on): http://bit.ly/zoomr2ttl Godox AD200 (Flashpoint Evolv 200): http://bit.ly/evolvRH Godox AD400 Pro (Flashpoint Xplor 400 Pro): http://bit.ly/RH400Pro Godox AD600 Pro (Flashpoint Xplor 600 Pro): http://bit.ly/RHX600P Modifiers Used 25" Glow EZ-Lock Beauty Dish Softbox: http://adorama.rfvk.net/OLAYN 43" Glow Grand Para Box Pro: https://adorama.rfvk.net/WQ3En Flash Trigger: http://bit.ly/R2ProIIS C-stand: https://adorama.rfvk.net/70e2r A7R III: http://bit.ly/SA73RH 85mm 1.4 GM: http://bit.ly/RH8514GM Follow me on Instagram: https://bit.ly/2sj7Lsq In this video we are finding out what flash you will need to overpower the sun. Overpower the sun is a phrase that poorly describes balancing a flash with bright, sunny conditions outside. It's hard to give a single answer for what flash will do it, as it depends on 3 actions. What modifier you use, how far away you use it, and whether or not you use high speed sync. Different modifiers bounce and throw light in different ways. So, some light modifiers are much more efficient than others, which means they will have more light intensity at the same power. Typically, smaller modifiers have harder, more intense light than larger modifiers, and are more efficient, but that surprisingly wasn't 100% true in this video. Next, is HSS vs SS. High speed sync is a less efficient way to light a subject, and will always require a higher power setting when everything else is equal. So if you stick with standard sync you'll be able to use smaller, less powerful strobes or greater distances. The goal here was to find the distance that a light at full power could properly expose a subject with a given modifier, in both HSS and standard sync. Here's the data: AD600 Pro Standard Sync Reflector: 9' 6" (290 cm) 32" Shoot through Umbrella: 7' 6" (229 cm) 25" Glow EZ-Lock Beauty Dish Softbox: 8' 4" (254 cm) 43" Grand Para Box Pro: 10' (305 cm) AD600 Pro HSS Reflector: 6' 2" (188 cm) Umbrella: 5' (152 cm) 25" Softbox: 6' (183 cm) 43" Softbox: 7' (213 cm) AD400 Pro Standard Sync Reflector: 8' 4" (254 cm) Umbrella: 6' 10" (208 cm) 25" Softbox: 7' 6" (229 cm) 43" Softbox: 9' 0" (274 cm) AD400 Pro HSS Reflector: 5' 10" (147 cm) Umbrella: 4' 6" (137 cm) 25" Softbox: 4' 9" (145 cm) 43 Softbox: 6' 4" (193 cm) AD200 Standard Sync Fresnel Head: 12' 7" (384 cm) Umbrella (Fresnel): 7' (213 cm) 25" Softbox (Barebulb): 5' (152 cm) 43 Softbox (Barebulb): 6' (183 cm) AD200 HSS Fresnel Head: 7' (213 cm) Umbrella ( Fresnel): 3' 8" (112 cm) 25" Softbox: 2' 6" (76 cm) 43" Softbox: 2' 9" (84 cm) V860ii Standard Sync 24mm Bare: 8' (244 cm) Umbrella: 5' 3" (160 cm) 25" Softbox: 5' 5" (165 cm) 43" Softbox: 6' 2" (188 cm) V860ii HSS 24mm Bare: 3' 3" (99 cm) Umbrella: 2' 5" (74 cm) 25" Softbox: 2' 6" (76 cm) 43" Softbox: 2' 11'" (89 cm) Link to infographic: https://imgur.com/gallery/4zPUmrD