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Dvořák - Piano Quintet in A major - Lugansky . Repin . Boriso-Glebsky . Gridchuk . Ferrández

Antonín Dvořák (1841-1904) Piano Quintet in A major, Op. 81 (1888) Nikolay Lugansky, piano Vadim Repin, violin Nikita Boriso-Glebsky, violin Andrey Gridchuk, viola Pablo Ferrández, cello 2018, from Moscow Philharmonic Society I. [0:00] Expos. - Theme 1 (Allegro ma non tanto) [2:29] Expos. - Theme 2 [4:03] Expos. - Repeat [7:56] Dev. [11:04] Recap. - (largamente - Tempo I) II. [14:50] Dumka. A (Andante con moto) [17:36] B (Un pochettino più mosso) [19:25] A (Tempo I) [22:05] C Vivace (quasi l’istesso Tempo.) [22:47] A (Tempo I) [24:22] B (Un pochettino più mosso) [26:10] A (Meno mosso. Tempo I) III. [29:12] Scherzo. Furiant (Molto vivace) [30:42] Trio (Poco tranquillo) [32:28] Scherzo (Tempo I) IV. [33:17] Finale. A (Allegro) [34:34] B [35:41] A [36:50] C (Fugato) [38:09] B [39:33] A - Coda (tranquillo - ff) “Dvořák explained in the preface to his Dumky Trio, that the untranslatable word dumka was of Ukrainian origin and had its roots in melancholy poetry. More specifically, a dumka was a kind of lament that had to be followed by a dance or else its true nature could not be felt. His music shows this understanding to perfection in the alternation of contrasting slow and fast sections, a combination to be found in the folk music of his native Czechoslovakia. In this dumka, the F-sharp minor opening melody suggests a lament, but with the typical Slavic rapid mood change it soon gives way to a cheerful D major melody. The main contrast to the lament “refrain,” however, arrives with the outbreak of the vivace section whose theme Dvořák derived from the Dumka’s opening. “ - Linton Chamber Music