Скачать с ютуб Anil Mehta Interview | Cinematographer - Lagaan, Kal Ho Naa Ho, Veer-Zaara | Through The Lens в хорошем качестве

Anil Mehta Interview | Cinematographer - Lagaan, Kal Ho Naa Ho, Veer-Zaara | Through The Lens

Through The Lens, supported by ARRI, is a celebration of the art and craft of cinematography, featuring in-depth conversations with some of India's most talented and respected cinematographers. In our second episode, Cinematographer Anil Mehta talks about his experiences of shooting the most traditional yet stylised Hindi films. He shares stories of working on the Aamir Khan starrer Lagaan, The Salman-Aishwarya-Ajay starrer Hum Dil De Chuke Sanam, Kabhi Alvida Naa Kehna, and many more. We then see him delving deep into his inspirations as a cinematographer, and the one life motto he lives by. This video is in a collaboration with @ARRIChannel ARRI is a leading designer and manufacturer of camera and lighting systems for the film, broadcast, media, and entertainment industries, with a worldwide distribution and service network. Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe 00:00 - Through The Lens of Cinematographer Anil Mehta 01:59 - Six Questions (30 Years of Anil Mehta) 02:35 - Hindi Cinema’s glamorous realism aesthetic 04:10 - Preferring Guru Dutt over Satyajit Ray 07:16 - Misconceptions about Cinematographers 08:43 - Finding the locations of Lagaan 14:46 - Anil Mehta’s introduction to cinematography 19:19 - “Economic, Frugal, and Truthful” 21:20 - Directing the Madhuri Dixit starrer “Aaja Nachle” 26:06 - Breaking down Hum Dil De Chuke Sanam 32:54 - Breaking down the climax sequence of Lagaan 42:03 - Breaking down “Tumhi Dekho Na” from Kabhi Alvida Naa Kehna 52:24 - Breaking down Darlings 1:05:13 - Three Inspirations 1:09:53 - Two Tips 1:13:11 - A Life Motto Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.