Скачать с ютуб Taha Shah Badussha Exclusive Interview with Sneha Menon Desai | Heeramandi | FC at Cannes'24 в хорошем качестве

Taha Shah Badussha Exclusive Interview with Sneha Menon Desai | Heeramandi | FC at Cannes'24

Taha Shah Badussha talks to Sneha Menon Desai about Heeramandi: The Diamond Bazaar, the global appeal of Sanjay Leela Bhansali, and the overwhelming response his character Tajdar has received from fans. Badussha speaks fondly about watching Francis Ford Coppola’s Megalopolis at the Cannes Film Festival, and how Payal Kapadia’s All We Imagine As Light is going to open doors for Indian cinema. The actor also discusses the importance of networking and spending his life on “jugaadu passes” until he struck gold with Heeramandi. Badussha reveals that he was thrown out of 7-8 big films before he landed the role of Tajdar on Bhansali’s magnum opus series on Netflix. #FCAtCannes in Association with: Entertainment Partner: Airtel Xstream Fiber (#AirtelXstreamIndia) Beauty Partner: Lakme Podcast Partner: ‪@AmazonMusicIN‬ Travel Partner: Air France 00:00 - At Cannes'24 with Taha Shah Badussha 00:36 - Heeramandi being the second highest watched Netflix show globally 01:35 - Has the global popularity translated to global street popularity 05:03 - Life changing after Heeramandi 08:19 - Chasing Sanjay Leela Bhansali 10 years ago 09:31 - Finding out a decade later that you’ve been finally chosen 15:03 - Overnight success taking 15 years to accomplish 16:39 - The Jugadu Pass 18:56 - Taha hustling his way through Cannes’24 20:40 - Is Taha able to block out the noise? Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.