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Barry Lyndon | The Final Duel [Scene Breakdown]

The final duel in Barry Lyndon is one of my favorite scenes in all of Kubrick’s work. You could say that the sequence actually starts in the previous scene where Bullingdon challenges Barry. This beautiful composition of a grieving Barry alludes to one of the “Marriage A-la-Mode” series paintings by William Hogarth, which BFI notes is referenced in the original novel. The dueling theme music begins when Bullingdon asks to speak with Barry Lyndon and carries over into the dueling sequence. Support this channel on Patreon:   / cinematyler   Twitter:   / cinematyler   Facebook:   / cinematyler   Tumblr:   / cinematyler   This video essay was written, edited, and narrated by Tyler Knudsen. The Kubrick Files Ep. 3 - Kubrick's Cameras -    • The Kubrick Files Ep. 3 - Kubrick's C...   Sources: https://cinephiliabeyond.org/stanley-... Time Magazine [Dec 15, 1975] Stanley Kubrick Archives [Barry Lyndon by Rodney Hill] How I Learned To Stop Worrying And Love 'Barry Lyndon’ By JOHN HOFSESS Kubrick on Barry Lyndon An interview with Michel Ciment American Cinematographer interview with John Alcott Stanley Kubrick Exhibition Book - Interview with Ken Adam Six Kinds of Light John Alcott -    • Six Kinds of Light John Alcott   DP/30: Leon Vitali on Kubrick -    • DP/30: Leon Vitali on Kubrick   Leon Vitali. How to structure a duel -    • How Kubrick created the duel scene in...   Music: “Modum” by Kai Engel