Скачать с ютуб A Hidden Ulster: Pádraigín Ní Uallacháin, Sylvia Crawford & Darren Mag Aoidh live in concert в хорошем качестве

A Hidden Ulster: Pádraigín Ní Uallacháin, Sylvia Crawford & Darren Mag Aoidh live in concert

A concert at Scoil na gCláirseach - Festival of early Irish harp, Kilkenny, 19th August 2018. Download concert programme PDF: http://irishharp.org/2018/Oriel-conce... A HIDDEN ULSTER: MUSIC OF ORIEL Pádraigín Ní Uallacháin, voice Sylvia Crawford, harp Darren Mag Aoidh, fiddle Sunday 19th August 2018 5.45pm Oriel is a cross border region in the north east of Ireland and covers parts of north Louth, south Armagh and Monaghan. It is an area rich in traditional music and song where many collections of manuscripts have been made, including music, language, literature and song. Much of this material was edited and reproduced in Pádraigín’s book, A Hidden Ulster - people, songs and traditions of Oriel (2003).  The concert will include items from these collections and more, including harp airs, dance tunes, harp songs, laments and a recently restored spinning song from the Edward Bunting manuscripts. Saely Kelly harp Ailí Gheal Chiúin Ní Chearbhaill voice & harp Úr Chnoc Chéin Mhic Cáinte fiddle Sprig of Shillelagh/Patrick’s Day fiddle & harp Lochaber harp An Bhean Chaointe voice Marbhna nó Cumha harp Amhrán na Craoibhe voice, harp & fiddle Nelson’s and Lord Kelly fiddle Is Iombó Eiriú voice, harp & fiddle Boyne Water & The Fairy Dance fiddles Pádraigín Ní Uallacháin is the author of A Hidden Ulster – people, songs and traditions of Oriel (Four Courts Press, 2003), and the Oriel Arts project (Online, 2017). She was awarded a PhD in 2008. She was a Traditional Musician in Residence for eight years in the Seamus Heaney Centre in QUB (2006-2014) with residencies in DkIT County Louth and The Glens Centre, County Leitrim. Singing has been the main focus of her professional career, and restoring over 40 Oriel songs back to the corpus of the Irish language song tradition, which are now sung again by sean-nós singers throughout Ireland. Her research on Breifne song, harp songs and songs of Oriel poets is ongoing. She has recorded 9 studio albums including sean-nós songs, lullabies, songs for children, new compositions and Oriel song. A multifaceted traditional artist: researcher, song writer, author and a professional singer since 1999, she is a recipient of a recent TG4 2018 Gradam Award for ‘outstanding contribution to traditional music’, Gradam Shean-Nós Cois Life in 2003 for her contribution to the Irish song tradition, Newry Mourne and Down Civic Arts Award 2018, and she is the first traditional musician to have received a Major Arts Award from the Northern Ireland Arts Council. Sylvia Crawford, from Co. Armagh, combines both a classical and a traditional music background. She studied music and ethnomusicology at Queen’s University Belfast, and arts administration at NUI Galway. She is currently completing a Masters by Research at Dundalk Institute of Technology on music and tourism in the Oriel region, with a focus on the life and music of Patrick Quin, an eighteenth century harper from Co. Armagh. Sylvia teaches and plays early Irish harp, fiddle and piano. She is actively involved with The Historical Harp Society of Ireland, as well as teaching at Scoil na gCláirseach. Most recently she has been working with Irish singer, Pádraigín Ní Uallacháin, and Sylvia’s harp music and research features on Pádraigín’s 2017 online project, Oriel Arts. Darren Magee, from Mayobridge in south Co. Down, began learning fiddle locally with Jimmy Burns and studied regional fiddle styles and slow airs with Brendan Gaughran (Dundalk). While studying music education at Trinity College Dublin - where he was organ scholar for two years - he undertook violin studies with David O’Doherty at DIT Conservatory.  He has toured nationally with CCÉ, and played in the United States, Europe and Hong Kong, including performances with DIT Irish music ensemble to commemorate the Flight of the Earls.  A fluent Irish speaker, having worked and studied in the Cloich Cheann Fhaola Gaeltacht region, he is interested in connections between chant traditions, sean-nós singing and instrumental performance. He has studied Dalcroze Eurhythmics in the UK and abroad, and has contributed to the digital archive project Oriel Arts under the collaborative direction of Pádraigín Ní Uallacháin. Future projects include research into instrumental slow air performance traditions. For more information on The Historical Harp Society of Ireland please see http://www.irishharp.org