Скачать с ютуб Shot on Sony FX6 - Tokina Vista Prime Cinematic Lens Review в хорошем качестве

Shot on Sony FX6 - Tokina Vista Prime Cinematic Lens Review

Please watch in 4K for less compression. Looking to purchase some Tokina Lenses? Use my affiliate link with promo code BENNY10 to get a 10% discount on Tokina Products! https://www.tokinacinemausa.com?sca_ref=1939519.4unN1y1l9I INTRO: The Vista Primes are fast high end cinema lenses that cover full frame. In my opinion these are some the most underrated lenses today. Tokina was kind enough to lend me the 35mm T1.5 Vista Prime for a week to try out. I've been wanting to build out a kit of these for a long time now, so I was crazy excited to give them a shot. Shooting grids and color charts are always very helpful when comparing lenses. But, I have more fun going out and shooting in the real world. So, that's what we did. COLOR/CONTRAST: The Tokina Vista Primes are quite warm and give off a very pleasing skin tones straight out of camera. You can see this at the end of the video (04:09) during the comparison between the Vista Prime, the Sigma Art 35mm, and the SLR Magic APO Hyperprime 32mm. I love a warmer lens straight out of camera. I think it's easier to keep nice skin tones, especially when you're shooting a cooler/more blue image. The lenses fall perfectly in the middle for contrast. Not too low con and not too harsh. SHARPNESS: I shot the entire video except the comparisons wide open at a T1.5. At this speed the lenses are tack sharp while not looking too clinical. The other lenses I used for comparison are also quite sharp. But, what sets the Tokinas apart though is their smooth transition from whats in focus to whats out of focus that feels higher quality. The falloff gives the image a very creamy look. BREATHING: These lenses don't breathe - which is a very sought after quality. Breathing while pulling focus can be distracting to your audience and I'm not at all a fan of it. BOKEH: The Tokinas have a 9 blade iris and produce a very natural looking circular bokeh. LENS FLARES: I didn't actually get to test out lens flares for these lenses. I have read that they do a good job minimizing flares quite a bit which explains why I probably never got a flare when shooting the entire time. Lens flares are subjective and depending on your project you may either want them or not want them at all. The Vista Primes are gonna give you a nice subtle pleasing flare that isn't at all in your face. CHROMATIC ABERRATION: I didn't see any chromatic aberration at any time using this lens. CLOSE FOCUS: The minimum focus is 16'' - which is normal for a 35mm. MECHANICS: The lenses are quite heavy (4.30 lbs) but have a very high end robust build quality to them. They have a 300 degree focus pull which is great for larger end productions where you have an AC to get that precision. Not ideal for solo operators because of these two attributes. FINAL THOUGHTS: The Vista Primes lived up to their hype for me. If you're looking for high end glass that can compete with the best of the best for a fraction of the price - I would go with the Tokinas. They have great warmth and character to them that gives you a cinematic image that is clean - but not too clinical. They're fast as hell at T1.5 and perform great wide open. Their image and build quality make them ideal for larger scale productions where you want consistency and quality optics. Comment below and let me know what you think about the Tokina Vista Primes or the Fx6! Check out my Sony Fx6 Review here:    • Sony FX6 Cinematic Footage + Review   My Review of the Tokina 40mm Vista Prime:    • Sony FX6 - Tokina Vista Prime 40mm Ci...   _________________________________________________________ Talent:   / brittabug   My gram:   / bendoescamera   See more of my work: https://www.benjaminwebber.com/ My custom base LUT I use on all my Sony footage: https://gumroad.com/l/sEgBIU​ NEW!!! Subtle Cinematic LUT pack I Britta and I used to grade this video on top of my base LUT: https://gum.co/cGAdE