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Annihilation’s Cosmic Framing

Why is Alex Garland's Annihilation so creep and unpleasant, yet beautiful and elegant? What makes it feel so...alien? Well, a lot of it has to do with how the film builds up its cosmic 'off-ness', and at the center of it all is this one shot composition: a frame within a frame shot. Let's take a look. (Also, of course, the original material is masterful so that helps) Watch curated films from around the globe for free at MUBI.com/spikimamovies by getting extended 30 day trial. /// Music download: http://spikima.wixsite.com/spikima Patreon:   / spikima   Paypal: https://www.paypal.com/paypalme/spikima Instagram: @ spikima Your support helps with keeping the channel running. Love. /// Extra Credits: A read on 'frame within a frame' shot: https://photographycourse.net/frame-w... Sound from http://www.freesound.org/people/klank... Timestamp 0:00 Introduction 1:07 The one shot 2:36 The three types 3:34 Accumulation 4:04 i. Uncanny 4:32 Deviation 5:27 ii. Stalker 6:23 Past vs Present 6:48 Set Design 7:40 Light Setup 8:20 iii. The Light 9:08 Invitation 9:53 iv. The Big Bang 10:14 Humanoid 10:30 Force 10:57 Last Act 12:05 Inevitability 13:14 The Beautiful Terror 14:09 The Moment 14:26 Real Annihilation 15:21 Thank You