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In this video I talk about the number of embroidery stitches used to make the Bayeux Tapestry, how they were used and why. Its amazing how few stitches can make nearly 70 metres of story come to life! Interested in making your own Bayeux Tapestry inspired embroidery using authentic materials? Check out kits at: https://alexandramakin.com/kits/ Videos mentioned: Stitch Focus: Bayeux Tapestry: • STITCH FOCUS | Bayeux Stitch Focus: Loop Stitch: • STITCH FOCUS | Loop Stitch - Part I One of my favourite early medieval embroideries: • One of My Favourite Early Medieval Em... Referenced Book: Isabelle BÉDAT and Béatrice GIRULT-KURTZEMAN, ‘The Technical Study of the Bayeux Embroidery’, in The Bayeux Tapestry: embroidering the facts of history (Presses Universitaires de Caen, 2004). You can read more about my work on the Bayeux Tapestry in: ‘The Front tells the Story; the Back tells the History: a technical discussion of the embroidering of the Bayeux Tapestry’, in Making Sense of the Bayeux Tapestry: Readings and Reworkings, which can be bought here: https://www.waterstones.com/book/maki... https://www.amazon.co.uk/Making-Sense... ‘Les six châteaux de la Tapisserie de Bayeux: Une discussion technique du travail de broderie de la Tapisserie de Bayeux’, in Sylvette Lemagnen, Shirley Ann Brown and Gale Owen-Crocker (eds.) L’Invention de la Tapisserie de Bayeux: naissance, composition et style d’un chef-d’œuvre médiéval (Colloque International), which can be bought at: https://www.amazon.com/Linvention-tap... The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery, which can be bought as an eBook or print copy: https://www.oxbowbooks.com/oxbow/the-... https://www.amazon.co.uk/Lost-Art-Ang... Picture Credits: Line drawings, microscopic images and photographs of recreations ©Alexandra Makin. Bayeux Tapestry images are with special permission from the city of Bayeux, from La Tapisserei de Bayeux (Edition Ville de Bayeux, 2008) and David Wilson, The Bayeux Tapestry (Thames and Hudson, 1985). Images of the conservators from 1982-1983 are from, Sylvette Lemagnen, 'The Hidden Face of the Bayeux Tapestry', in The Bayeux Tapestry: new approaches (Oxbow, 2011). The Orkney Hood is via the National Museum of Scotland. The Orkney Hood plan is from, Audrey S. Henshall, 'Early Textiles found in Scotland', Proceedings of the Society of Antiquaries Scotland, 86 (1951-2). The Kempston fragment is via via creative commons license from the British Museum. The York pouch is from, E. Coatsworth & Gale R. Owen-Crocker, Medieval Textiles of the British Isles AD 450-1100: an annotated bibliography (BAR series 445, 2007). Dr Alexandra Makin Early Medieval Embroidery Professional Embroiderer Textile Archaeologist #bayeuxstitch #bayeuxtapestry #embroider #textiles #alexandramakin