Скачать с ютуб Larry Carlton Style - Triad Approach в хорошем качестве

Larry Carlton Style - Triad Approach

Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!! Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories. Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally." ""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities. It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...    • The Larry Carlton Interview   Anyway, maybe you can explain it better than they do. Thanks, tim "" So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this! What do you think? Introduction (00;00) Story behind this video (01:00) Tim 's request on LC from Rick Beato's video (03:07) CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40) Chord voicings idea over CMaj7 & FMaj7 (06:10) Soloing Example Over Backing Track #9 (07:18) Soloing Example Simple Triads & mixing blues feeling (08:45) Larry Carlton was a huge Influence on me (10:15) My problem was not have my own style (12:25) Larry Carlton style BLUES in G (14:25) G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12) C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32) G Blues Backing Track (18:49) Soloing example over G Shuffle Blues (19:37) Larry Carlton's I & bVII Triads Review (22:07) 1967 Gibson ES-335 Bartel Roseland Head Bartel 1-12 Cabinet Providence cables E205TF Boss RC-3 One Control Prussian Blue Reverb Vemuram Jan Ray for TF D'Addario NYXL 09-42 Pickboy TF Sig 1.00mm (069-21) ▼▼Join today "Tomo Fujita Guitar Wisdom" http://tomovhxtv.vhx.tv Just added easy theory lessons! Join subscribers from 80 countries ▼▼Don’t worry Don’t compare Don’t expect too fast Be kind to yourself http://www.osiamo.com/PB03TFSET ▼Guitar Teacher Of The Year 2020 https://www.guitarworld.com/features/... ▼Follow my Instagram   / tomojustfunky   ▼Follow my Twitter   / tomojustfunky   ▼Follow my FaceBook   / tomofujitaofficialfanpage   ▼Mailing list for upcoming event https://tomojustfunky.com ▼FaceBook -   / tomofujitaguitar   ▼http://www.tomofujita.com (Japanese)