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One-week construction time-lapse with closeups: Week 17 of the Ⓢ-series

Week 17 in the ongoing Ⓢ series, which follows the construction of a new 13-story senior living building in San Francisco. This is a #construction #timelapse with various closeups and "sub-time-lapses" at various speeds, condensing the week of May 25 - 30, 2020, into about 33 minutes. This is a relatively short week. There was no work on Monday because it was a US holiday (Memorial day), and there was no work on Saturday either, making it a 4-day work week. Still a few things to see though. 00:00 - Tue (column forms, sweeping, trimming) 09:21 - Wed (column rebar, pump controller) 17:37 - Thu (pre-pour prep, columns, forms, survey equip) 28:39 - Fri (wide view of back half all day) 32:46 - Closing, previews A mixture of old and new music this week. Licensed from Audio Network, listed below in chronological order: Tuesday: Dimitrius 4 — Sarah Gillespie (2597/70) I've Been Down This Road 3 — Michael Farkas, Teddy Weber, Seth Travins (3182/10) Cold Deep Blue 2 — Dan Skinner, Adam Skinner, Randall Breneman (1561/70) Wednesday: Bitter Sweet 3 — Matt Sanchez, Steve Dymond, Sarah Wassall (1673/9) To Be Me 3 — Evelyn Glennie, Igor Dvorkin (1193/36) Thursday: I Wanna Love You 2 — Matt Goodman (3384/39) Let Me Breathe 2 — Matt Goodman, Matthew Bento (3384/57) I Care 2 — Matt Goodman, Matthew Bento (3384/75) Making It Happen 2 — William Davies, Dag Torgersbraten, Tajh Abdulsamad, Lee Francis (3258/61) Friday: Rockin Rebel — Terry Devine-King, Adam Drake (2817/4) Go Ape — Terry Devine-King, Adam Drake (2817/2) As usual, you're always welcome to listen to your own playlist instead if you prefer (there's no dialog in the video). This video is not endorsing or recommending, nor was it endorsed by, any business, product, or organization. The appearance of, or mention of, any person, business, product or organization in it is not necessarily an endorsement or recommendation of or by that person, business, product, or organization. This recording is of views and scenes visible to the public.

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