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Artist Georges Braque: How he became the Great Cubist Painter- Art History School

Join us on another episode of our art history channel as we delve into the life, works, and legacy of a true pioneer of modern art Georges Braque. From his early days as a Fauvist, collaborating with Picasso, to his ground breaking role in co-founding Cubism, Braque's artistic trajectory is a testament to innovation and creative daring. In this video, we'll navigate the intricate interplay between Braque's evolving style and the cultural backdrop of his time. Witness his mesmerizing fusion of form and content, as he skilfully navigated the realms of abstraction and representation. We'll explore his profound influence on Cubist principles, dissecting his collaborative efforts with Picasso and the birth of a revolutionary movement that transformed the artistic landscape forever. Georges Braque (1882–1963) stands as one of the seminal figures in 20th-century art, hailed for his transformative impact on the Cubist movement. Born in Argenteuil, France, Braque initially pursued a career in decorative painting before embracing the bold colours of Fauvism, collaborating closely with Pablo Picasso during the early 1900s. However, it was their co-invention of Cubism that catapulted Braque to artistic renown. Braque's ingenious approach to deconstructing and reconstructing forms revolutionized the concept of representation. His "analytical Cubism" sought to depict objects from multiple perspectives in a single composition, challenging traditional notions of space and dimension. His meticulous exploration of geometric shapes, fragmented planes, and earthy colour palettes gave rise to artworks that celebrated abstraction while retaining a sense of connection to reality. The outbreak of World War I temporarily paused Braque's artistic pursuits, but he resumed his creative journey with a renewed vigour post-war. The "synthetic Cubism" phase that followed introduced elements of collage and mixed media, showcasing his versatility and innovation. Throughout his career, Braque's dedication to pushing artistic boundaries left an indelible mark, inspiring generations of artists to rethink the way they perceived and expressed the world around them. His legacy endures as a testament to the power of artistic evolution and imagination. More art history: https://arthistoryschool.com How to Draw Videos: https://paulpriestleyart.com Please consider subscribing to this channel: https://www.youtube.com/c/arthistorys... And supporting this channel on Patreon,   / paulpriestleyart   many thanks! Interested in DRAWING? Check out my drawing channel:    / paulpriestleyart   Would you like me to critique your drawing? Sign up here:- https:patreon.com/paulpriestleyart Follow our Facebook Page:   / paulpriestleyartvideos   Follow our Twitter page:   / priestleyonart   PATREON: I'd like to thank the following patrons whose support in the making of this video is much appreciated: Dee Ann Havely, Deirdre Feely, Denise Berg, Ivan Gilbert Rappaport, Mary Stewart, Nicolae Opris, S. Ryckman, Tatiana Lostorto, Tina Valentine, Visnja Zeljeznjak, Linda Frazier, Marnie Coutts, Stein Harald Os, Emily Liss, William Scott Griffiths, Dinny Hinds, Patrick Lefebvre, Philip Levene, Alena Sidorkina, Jeff Smith, Ashok Kanagasundram, Olivia McGoldrick, Rahman Yii, Sarah Hirsch, Kevin Coburn, Stacy Schweigler, Jennifer Ranghelli, Deborah Smith, Emily, Carol Tenson, Min A, Colin Parrish, Larry Specht, David Cornwell, Kerri Southern, Yvonne Tsang, Lena Allen, Hüma, Michelle Kunkel, Barbara Perl, Steve Pike, LN, Mary K. Kroner, Kate Emery, Don Kyle, David Smernoff, Kathy Anderson, Shirley Trill, Floki, Hristiana Bobeva, David Tate, Henrik, Howard Schwartz, Judy Tuwaletstiwa, Scott Baker, Mikaela Mendoza- Cardenal and Susan Valliant Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Paul Priestley