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History of Rock & Roll - The 2000s

Watch the extended “Curtis Cut” on Patreon:   / jtcurtis   The long awaited installment in the History of Rock series, JT and his crew are back to discuss the History of Rock & Roll: The 2000s. The emergence of Indie Rock (The Strokes, The Killers, The Hives), the endless chain of Emo artists (Fall Out Boy, Panic At the Disco, My Chemical Romance), and an unexpected classic from Green Day. Written and performed by JT Curtis, Nick Patrella & Ashley Rose (along with a surprise appearance from "Gollum"). A HUGE thank you to all those who donated to our GoFundMe page and also our Patreon supporters. You all made this happen! All credits are included in the video. Please support these artists! http://JTCurtis.com Check out Ashley Rose's music:    / arosemusic     / ashrosemusic   0:00 Introduction 3:23 The Music Industry vs Napster 8:07 The New Millennium 9:36 Radiohead - Kid A 11:33 Experimental Albums 12:37 The Strokes - Is This It 14:02 Linkin Park - Hybrid Theory 15:38 Nu-Metal 16:36 Coldplay 18:26 What We Were Listening To 20:03 American Idol 21:20 Nickelback 23:02 America: A Tribute to Heroes 24:26 Bruce Springsteen - The Rising 25:23 George Harrison 25:52 2002 / 2003 Rock Explosion 26:59 Garage Rock 28:23 Indie Rock 29:41 The Killers 31:01 Metallica - St. Anger 31:25 Avril Lavigne 32:12 Emo 34:15 Fall Out Boy 35:48 My Chemical Romance 36:32 Evanescence 38:28 Panic! At the Disco 40:16 Artificial Manufactured Rock 42:13 Audioslave 43:24 Reunions 45:11 Iraq War Protest Songs 46:53 Green Day - American Idiot 48:28 The Mood of a Wounded Country 49:31 “Guitar Solos are Too Retro” 50:21 “I Stopped Listening to the Radio” 51:12 Rock and Hip-Hop Collaborations 53:29 The Late 2000s 55:20 “Gollum” Interrupts 56:02 Paramore 57:14 Female Rockers 59:40 Muse 1:00:37 Christmas 2009 1:01:29 Did the 2000s Rock Hard? The 2000s (2000 - 2009) were a strange decade to say the least. The Record Companies were at a loss as internet file sharing programs like Napster were changing the way the public listened to music. Because of this change, the landscape for popular music became much more superficial as pop-oriented artists like Britney Spears and The Black Eyed Peas were given all the industry's attention and rock artists had to struggle to get airplay. However, it also opened the door for indie rock bands to flourish. The New York scene gave birth to bands like The Strokes who paved the way for indie rockers like Interpol, Franz Ferdinand, Arcade Fire and of course The Killers who were immensely successful. Even Wilco self-released their classic Yankee Hotel Foxtrot album and later on in the UK, The Arctic Monkeys would become one of the fastest selling bands from the internet. Even musically rock and roll was going digital, exemplified by Radiohead's divisive Kid A album which was very much an electronic experiment. Bands like Coldplay also followed this trend. Garage Rock also emerged during this time with bands like The White Stripes, The Black Keys, The Hives and The Vines. Nu-Metal combined elements of hip-hop and rap with Linkin Park's Hybrid Theory becoming one of the best selling albums of the decade. They were followed by Disturbed, Godsmack, System of a Down, Papa Roach, and even veteran bands like The Deftones and Slipknot continued to make hits. In the mainstream, pop-punk continued to gain airplay with artists like Avril Lavigne, Blink-182 and Good Charlotte. A similar genera emerged called Emo rock with Bleed American by Jimmy Eat World (Best known for their hit song "The Middle") along with Saves the Day. They were followed by a seemingly endless string of bands like Fall Out Boy, The All American Rejects, My Chemical Romance and later the All Time Low Classic "Dear Maria Count me In". Panic! at the Disco became very popular on new social media platforms MySpace and "I Write Sins Not Tragedies" became one of the first viral music videos on YouTube. At the same time, veteran bands like The Red Hot Chili Peppers and The Foo Fighters continued in popularity (Dave Grohl also played drums on the Queens of the Stone Age album Songs for the Deaf). Supergroups like Audioslave and Velvet Revolver emerged and reunions of Cream, Led Zeppelin, Alice in Chains and a much anticipated performance by Pink Floyd at Live 8 were welcomed. 9/11 set a dark tone for the decade which Bruce Springsteen explored on his album The Rising. The political unrest split the country, but it was the Green Day album American Idiot which truly captured the anger felt during the Iraq War. In the later half of the decade, female artists like Pink and female led bands like Paramore really took the reins trying to pull rock out of the corporate hole it was falling into. Rage Against the Machine challenged the X-Factor Christmas single mandate and Muse released The Resistance to leave the decade on something of a high note.