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Anton Bruckner - Symphony No. 2 in C minor, WAB 102 (1872-77)

Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Please support my channel: https://ko-fi.com/bartjebartmans Symphony No. 2 in C minor, WAB 102 1872 (1st version), revised 1873 and 1876 1877 (2nd version), revised 1892 I. Moderato (0:00) II. Andante (17:50) III. Scherzo: Mäßig schnell — Trio: Gleiches Tempo (33:09) IV. Finale: Ziemlich schnell (41:24) The Royal Concertgebouw Orchestra conducted by Bernard Haitink First Performance: 1876-02-20 in Vienna Vienna Philharmonic, Anton Bruckner (conductor) It was composed after the Symphony "No. 0" in D minor (which was itself composed after the Symphony No. 1 in C minor). It is the only "official" Bruckner symphony (that is to say, excluding "No. 0") without a dedication: Franz Liszt tacitly rejected the dedication, and Richard Wagner chose the Symphony No. 3 in D minor instead. The premiere was given with Bruckner himself conducting in 1873. Description by Michael Jameson [-] Bruckner composed his Second Symphony during the years 1871- 1872. It is set in the traditional four movements, and is no more gargantuan than Schubert's "Great" C major Symphony. However, this work is genuinely predictive of Bruckner's later style, both in its balanced synthesis of classical elements and in the Wagnerian chromaticism of its musical ethos. The second exists in no fewer than five different versions! In hindsight, it's easy to see why Bruckner's contemporaries advised him to overhaul the score, for during the autumn of 1872, the members of the Vienna Philharmonic dismissed it as unplayable, though it had already won the admiration of Franz Liszt. The symphony was introduced to Vienna audiences on October 26, 1873, after a wealthy patron, Johann Merbeck, had volunteered to underwrite costs. Now, the new symphony received enthusiastic approval from critics and public alike; Bruckner received an ovation, and even the feared critic Hanslick temporarily stayed his barbed pen, finding positive things to say about the piece. In 1877, aged 53, Bruckner produced a subsequent revision, but as Hans Christian Schmidt-Banse observes, "this music continues, even today, to disturb and puzzle its listeners and refuses to provide a quick fix...."