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Mauro Giuliani (Bisceglie 1781 - Naples 1829) Sonate en Do majeur Œuvre 15 00:00 Allegro con spirito 09:03 Adagio con grande espressione 14:40 Allegro vivace Guitare romantique de Guillaume Louis Martin Paris, 1830. Cordes Savarez 520 B / La = 432 hz Pablo Lentini Riva, guitare. https://pablolentiniriva.bandcamp.com Instagram : @pablo_lentini_riva Vidéo tournée le 31 mai 2024 à l’INSTITUT CULTUREL ITALIEN de Paris, Hôtel de Galliffet, 50 rue de Varenne, 75007. Production exécutive Showson Réalisation Ghislain de Vaulx Assisté par Veronica Mecchia et Maximilien Bachelart Titre original de la version utilisée pour cette vidéo : Sonate brillant Für die guitarre Op. 15, Wien 1812, bei S. A Steiner und Comp. Dedication, Josephine Edlen v. Maillard “Giuliani's Sonata Op. 15 was first published by Imprimerie Chimique in Vienna in 1808 and is his only “Classical” multi-movement sonata. It was written during his early years of the Vienna period (1806 - 1817), when he was exposed to the models of the form by Haydn, Mozart, and Beethoven. Arriving in the city in 1806, Giuliani started to establish himself through his guitar performances that gained considerable praises from the public and newspapers. By 1808, Giuliani came to be recognized as the most prominent guitarist in Vienna and one of the musical elites of the city. In the article Survey of the Present State of Music in Vienna, published in Vaterländische Blätte on May 31, 1808, he is listed among the names of Künstler (professional artists) such as Beethoven, Hummel, and Czerny. Also an active composer, in 1808, Giuliani published many works such as this Op. 15. There are three original versions of this Sonata. According to Anthony Glise, the first edition by Imprimerie Chimique has very poor graphic quality. During the printing process, the publisher was using an engraving method that caused a great deal of damage to the appearance of this version. Due to this, there are no surviving “clean” copies of the Imprimerie Chimique version. However, it was reproduced by Thomas Heck in 1971. The second edition was published by S.A. Steiner & Co., which took over Imprimerie Chimique business, in 1812. The graphic quality is considerably improved in this revised version, and there are many adjustments as well. Then, Richault issued the third edition in Paris in 1828, one year before Giuliani's death.” Text from “A PERFORMANCE GUIDE TO THE MULTI-MOVEMENT GUITAR SONATAS OF FERNANDO SOR AND MAURO GUILIANI” By Rattanai Bampenyou https://studylib.net/doc/8389070/a-pe...