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Most Apocalyptic Plagal Cadence: Brahms Symphony No. 4, Mvt. 1

Please support this channel on Patreon:   / richardatkinson   Richard Atkinson discusses the tremendous, superbly constructed first movement of Brahms’s Fourth Symphony in E minor, including its final, most apocalyptic of all plagal cadences . This is a fair use educational commentary that uses small excerpts from the following performances/recordings: Brahms - Symphony No. 4: Wiener Philharmoniker, Leonard Bernstein    • Brahms: Symphony No.4 in E minor - Be...   Brahms - Symphony No. 1 (4th movement): Berliner Philharmoniker, Karl Böhm Brahms - Symphony No. 1 (3rd movement): London Philharmonic, Wolfgang Sawallisch Brahms - Symphony No. 3: Berliner Philharmoniker, Herbert von Karajan Bach - Cantatas, BVW 140, 95, 162: Bach Collegium Japan, Masaaki Suzuki “Dies Irae” chant melody: Alfred Deller Consort Berlioz - Symphonie Fantastique: Berliner Philharmoniker, Herbert von Karajan Haydn - Symphony No. 103, “Drumroll”: Academy of St Martin in the Fields, Sir Neville Marriner Mahler - Symphony No. 2, “Resurrection”: London Symphony Orchestra and Chorus, Sir George Solti Eugène Ysaÿe - Sonata for Solo Violin No. 2: Gidon Kremer Brahms - Four Serious Songs, Op. 121: Dietrich Fischer-Dieskau (voice), Gerald Moore (pianoforte) “El Queco” (Tango):    • Видео   Leonard Bernstein’s Brahms analysis (of this same movement):    • Brahms / Leonard Bernstein, 1957: An ...   Mozart - String Quartet in B-flat, K. 458, “The Hunt”: Quatuor Mosaïques 00:00 - Exposition: first theme 17:46 - Exposition: orange fanfare and yellow second theme 25:23 - Exposition: mysterious pink arch and closing theme 28:48 - Development 38:54 -Recapitulation 43:30 -Coda