Скачать с ютуб Janani ninnuvina MDR Reethigowla Subbaraya Shastry в хорошем качестве

Janani ninnuvina MDR Reethigowla Subbaraya Shastry

pallavi jananI ninnuvinA (trilOka) dikkevarammA? jagamulOna gAna (trilOka) anupallavi manasija mAnasa sammOdini! vinavE nA manavini vini nannu brOvumu (cittai swaram) svaram sAhityam niravadhika- sukha- dAyaki ! anucu vini ninnu cAla goliciti niratamuga tanayuni moralu vini nI valanE brOcuTaku evarika dharalO vinumA idi ghanamA taruNamidi krpa salupa durusuga sarasIruha - lOcani ! suvAsini ! tAmasamu sEyakane brOvumu (jananI) caraNam 3: vanajAyata - nEtri! kumAra - janani! kAmitadAtri ! ghana - pApa - latAlavitri ! sanakAdi - munulella - sannuta pAtri ! With utmost supplication to the mother Goddess kAmAkSi zri Subbaraya Shastri questions Her: " Oh mother ( janani) of the three worlds (trilOka) ! Who (evarE) else in this world (jagamulOna) can be my refuge (dikku) other than you (ninnu vinA) ? " The emotions in this line are well brought out by the rAga bhAva , that is so enticing in the mandra sthAyi. The mandra sthAyi beginning, along with the soothing sAhitya makes the kriti really pleasant and weighty. After the soft mandra sthAyi , Subbaraya Shastri goes on to plead in the tARa sthAyi , beginning with an abstract swarAksharam at "ma": He calls ambAL : "manasija - mAnasa - sammodini", i.e. " One whose mind (mAnasa) is delighted (sammOdini) by the God of love (manasija)" and appeals to her: "Please listen (vinavE) to my (nA) troubles (manavini) and kindly protect (brOvumu) me (nannu) " As is the case with the Sastri kritis, the swara sAhityam is touching and this one is specificifically moving: " Having heard (vini ) that (anucunu) that you are the bestower (dAyaki) of unceasing (niravadhika) happiness (sukha), I beseeched (goliciti) you (ninnu) so much (cAla)! Who else (evarika) is there in this world (dharalO) to protect (brOcutaku) like you (nI valanE) , after hearing (vini) the appeals (moralu ) of this child (tanayuni) endlessly (niratamuga) ? " Subbaraya Shastri's surrender to the Mother is so evident her. He kind of chides Her that She has not protected him from the tentacles of the worldly miseries. However he is very prompt to acknowledge ambAL as the only one in this world Who can listen to his troubles and free him from his worries. Subbaraya Shastri continues further in this beautiful svara sAhityam: "Now (idi) please listen, Oh Mother (vinumA), is this (idi) ghanama (tiresome) ? Now is the opportune moment (taruNam idi) to quickly (durusuga) Please protect me (brovumu) without (sEyaka) delay (tAmasamu) , oh Mother, Who has eyes (lOcanI) like the lotus (sarasIruha) and Who is fragrant (suvAsini) ! The caraNam begins like the pallavi in the mandara sthAyi and beautifully unfolds into the higher octaves. The mark of this kriti is the svara sAhityam! Sri Shastri describes ambAL as " vanajAyata- nEtrI i.e. the one with large (Ayata) eyes (nEtri) like the blue lotus flower (vanaja: vanaja means born in the forest, it also refers to a wild lotus flower found in the forest lakes) " and as "kumAra janani (mother of kumara: subrahmanya svAmi) " , kAmitadAtri : One who gives (dAtrI) whatever is desired (kAmita) " After this the kriti reaches a climax like the anupallavi, but the transition is so gradual and grand (do I have to even attempt to write about the elegance of the M-N-S part of rItigauLa??) that one gets easily lost in its subtlety! ambAL is now referred to as : "ghana pApa latA lavitrI", i.e One who is like a scythe (lavitrI) to the creepers ( latA) of evil (ghana) sins (pApa) (in short, the One Who destroys all sins) (Someone, please verify this!!!) and "sanakAdi munulella sannuta pAtri" : One who is worthy (pAtrI) of the panegyric (sannuta) of sanakA and all (ella) other (Adi) sages (munulu). (quoted from internet)