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Those 7 Times Joe Lovano Went Beast Mode | bernie's bootlegs 6 лет назад


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Those 7 Times Joe Lovano Went Beast Mode | bernie's bootlegs

Thanks for checking out my video and don't forget to SUBSCRIBE for more killing jazz content! Here's 7 joyous jams from the manly & mysterious meditation master himself, the one and only Mr. Joseph Salvatore Lovano. Which clip was your favorite? Which did I leave out? Who should be next? Leave a comment below and share this video with your friends!! Don't forget to like, share, & subscribe for more jazz videos! Your support helps to keep this channel going. Follow me on Instagram for video announcements, behind the scenes content and more!   / berniesbootlegs   Twitter:   / berniesbootlegs   Contact: [email protected] **IMPORTANT** If you are a copyright holder that would like something removed from my channel please message me on YouTube or email me directly, & I usually respond within minutes. I'm happy to take down a certain video if you simply ask - so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank you! Email: [email protected] Sources: [1]    • Joe Lovano, George Mraz & Al Foster   [2]    • John Scofield Quartet / Wabash 3 (1990)   [3]    • Joe Lovano / Steve Kuhn Quartet "Reme...   [4]    • Joe Lovano & Frank Tiberi with Woody ...   [5]    • Joe Lovano & George Adams - Tenor Mad...   [6]    • Motian, Lovano, Frisell Trio Jazz em ...   [7]    • Joe Lovano - Portrait of Jenny   You might think by glancing over the list of accolades garnered by Grammy-winning saxophonist/composer JOE LOVANO that this renowned musician has found an established formula for success - and that he has. Unlike other artists who consistently repeat themselves and stay within the confines of their own self imposed parameters, the secret to Lovano’s success is his fearless ability to push the conceptual and thematic choices he makes in a quest for new modes of artistic expression and new takes on what defines the jazz idiom. With Folk Art, his 21st recording for Blue Note, Joe Lovano debuts Us Five, a dynamic new ensemble and one of the most exciting of his acclaimed career that collectively breathes a youthful exuberance into the first-ever Lovano album to be comprised entirely of his own original compositions. Recorded in November 2008, after a preparatory week at New York’s famed Village Vanguard, Lovano presents a collection of nine original compositions for himself on tenor saxophone, straight alto saxophone, alto clarinet, tarogato, aulochrome, and percussion; – James Weidman on piano; Esperanza Spalding on bass; and Otis Brown III and Francisco Mela on—as Lovano likes to put it—drums and cymbals. He explores a wide spectrum of ―colors, sounds, and feelings,‖ organizing the flow into passages for quintet, quartets, trios, duos, and solos within the unit, exploiting to the fullest the various rhythm section possibilities afforded by the two-drummer format. Lovano was born in Cleveland, Ohio in 1952, and began playing alto saxophone as a child. A prophetic infant photo of Lovano shows him cradled in his mother’s arms along with a saxophone. His father, tenor saxophonist Tony “Big T” Lovano, schooled Lovano not only in the basics, but in dynamics and interpretation, and regularly exposed him to live performances of international jazz artists such as Sonny Stitt, James Moody, Dizzy Gillespie, Gene Ammons, and Rahsaan Roland Kirk. Upon graduation from high school he attended the famed Berklee College of Music in Boston. Lovano’s early professional gigs were as a sideman with organists Lonnie Smith, Brother Jack McDuff, and a three-year tour with the Woody Herman Thundering Herd from 1976 to 1979. After leaving Herman’s band, Lovano settled in New York City where he eventually joined the Mel Lewis Orchestra for its regular Monday night concert at the Village Vanguard; playing from 1980 to 1992 - recording six albums with the Orchestra. To this day, Lovano finds time for very special performances with the Vanguard band and recently paid tribute to Thad Jones with Thad’s brother Hank Jones, on the Grammy nominated, 2007 release, Kids: live at Dizzy’s Club Coca-Cola. Lovano joined the Paul Motian band in 1981 and has since worked and collaborated with John Scofield, Herbie Hancock, Elvin Jones, Charlie Haden, Carla Bley, Bobby Hutcherson, Billy Higgins, Dave Holland, Ed Blackwell, Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner, Ornette Coleman, Jim Hall, Bob Brookmeyer and many more. Lovano’s illustrious relationship with Blue Note Records began in 1991 and includes eight Grammy nominations with a win in the Best Large Ensemble category for 2000’s 52nd Street Themes. Numerous accolades for the saxophonist also include multiple wins as Down 2 Beat magazine’s Jazz Artist/Musician of the Year, Tenor Saxophonist of the Year and Album of the Year.

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