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Antonio Vivaldi: Bassoon Concerto in E Minor, RV 484

00:00 - I. Allegro poco 04:30 - II. Andante 07:47 - III. Allegro _____ Bassoon: Bram van Sambeek Conductor: Conrad van Alphen Ensemble: Sinfonia Rotterdam Year of Recording: 2009 _____ "Lacking among the girls in the Ospedale were bassoonists. There is no mention of bassoon solos or instruments among the records, and it is unclear for whom Vivaldi composed his 38 bassoon concertos – more than for any other instrument except the violin. None of them was published during his lifetime, but the manuscripts were preserved in the Biblioteca Nazionale in Turin. From their technical demands, it is clear that he composed them for a virtuoso. It should be noted that the Baroque bassoon was not the versatile instrument we know today; there were only a couple of keys, and makers were experimenting constantly to create more responsive and accurate double-reed instruments. In the first movement of this concerto Vivaldi puts the bassoon through its paces; each episode features a different technique, with an emphasis is on rapid fingering. The second movement of a Baroque concerto, virtually always in a slow tempo, was designed to showcase the emotive side of the solo instrument. Long, legato lines that could be freely embellished – either by the composer or by improvisation on the part of the soloist – were standard. Although the bassoon is not usually cited as a romantic instrument, Vivaldi does his best to smooth over the characteristic double-reed vibrato of the instrument. The third movement returns to the faster tempo and ritornello form of the first and involves even more difficult virtuosic playing for the soloist." (Joseph & Elizabeth Kahn) _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.